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Title: A survey of the experiences of Arab music therapists' academic and cultural adjustment in music therapy training
Abstract: The field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and tra...
Show moreThe field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and training, the Arab community is a cultural group that has minimal representation in the music therapy literature. Throughout the Arab world the music therapy profession could still be regarded as being in its infancy stage. With limited international higher education programs in music therapy, most people living within the Arab region must travel to study. Previous research in music therapy and other mental health professions have indicated that international programs have fallen short in their ability to support the needs of international students, instead assuming they will acculturate with ease, and provide minimal education and guidance on ways therapeutic interventions can be adapted in various cultural contexts. This research study utilized a mixed-methods approach within a constructivist paradigm that pulls from feminist theoretical perspectives to better understand the educational and cultural experiences of Arab music therapists through an anonymous online survey. The data was analyzed for common themes that emerged. Overall, a majority of respondents felt that their music therapy education and training experience did not meet all of their cultural needs. The researchers hope that the data gathered will be useful for other Arab international music therapy students, but more importantly, that it will help guide and inform music therapy programs globally in their efforts to better support the needs of Arab music therapy students.
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Year Issued: 2024

Author: Foster, Kristal
Sub-title: a mixed-methods analysis

Title: Perspectives of Music Therapists Working with Sibling Pairs with at Least One who is Neurodivergent
Year Issued: 2024

Abstract: This thesis explored music therapists’ perceptions of the benefits and challenges of working within a sibling structure, with at least one sibling identifying as neurodivergent. This research adds to the literature by contributing the perspectives of music therapists...
Show moreThis thesis explored music therapists’ perceptions of the benefits and challenges of working within a sibling structure, with at least one sibling identifying as neurodivergent. This research adds to the literature by contributing the perspectives of music therapists that work within this framework. Data was analyzed from two participants who completed a semi-structured interview focused on their experiences engaging in this work. Five primary themes emerged in the data: 1) training, 2) goal work, 3) session space, 4) therapist role, and 5) family. Overall, both participants shared similar experiences with their clients. The findings showed that music therapy is beneficial when working with siblings. However, due to the lack of research and minimal research participants, more research needs to be conducted in order to fully support these findings.
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Author: Auty, Rebecca

Title: Befriending the piano
Abstract: This mixed methods dual case study explores the impact of creative free play sessions on college music students' experiences of piano performance anxiety within a music therapy context. Participants included Johanna and Wade, undergraduate students enrolled in a clas...
Show moreThis mixed methods dual case study explores the impact of creative free play sessions on college music students' experiences of piano performance anxiety within a music therapy context. Participants included Johanna and Wade, undergraduate students enrolled in a class piano course for non-piano majors. Johanna, a white 20-year-old cis female, and Wade, a white 35-year-old cis male, participated in 8-10 music therapy sessions that involved discussion and creative free play on piano focusing on alleviating performance anxiety and fostering creative expression. Findings indicate that both participants experienced varying degrees of anxiety reduction and increased comfort with piano performance over the semester. Johanna’s narrative highlighted her journey of overcoming internal fears and building self-confidence while Wade’s narrative demonstrated his experience of finding a meaningful connection to the piano and utilizing the piano as a tool to help manage external stressors. Both participants reported the therapeutic relationship and dedicated time to engage creatively with the piano as the most beneficial in reducing anxiety and increasing productivity. Pre and post test questionnaires indicate the most improvement in the areas of proximal somatic anxiety, worry about performance, and negative cognitions related to performance anxiety and well as self-reported decreases in overall levels of general and piano performance anxiety. Implications for future research suggest incorporating creative arts therapies in college counseling centers to address performance anxiety for students across performing arts modalities. Future research should expand to include larger studies and participants from diverse performance disciplines to validate findings and broaden applicability in higher education settings.
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Year Issued: 2024

Author: Sandham, Randy
Sub-title: A dual case study of the impact of music therapy and piano-based free play on college students' piano performance anxiety

Title: Neurologic music therapists' perspectives on neurologic music therapy
Abstract: Limited literature exists providing a critical analysis of Neurologic Music Therapy (NMT) as a model of music therapy. This qualitative research study, therefore, sought to explore the strengths and weaknesses of NMT, particularly in its approach to disability, throu...
Show moreLimited literature exists providing a critical analysis of Neurologic Music Therapy (NMT) as a model of music therapy. This qualitative research study, therefore, sought to explore the strengths and weaknesses of NMT, particularly in its approach to disability, through the perspectives of practicing Neurologic Music Therapists. Participants were recruited from the Directory of Current NMT Affiliates, from relevant social media groups, and by referral. Five board-certified music therapists who currently practice NMT or have practiced NMT within the last five years were participants in this research. Data was collected through interviews between the researcher and each participant, in which six discussion prompts were asked. These interviews were recorded and transcribed, after which the researcher utilized inductive coding techniques to uncover prominent themes in the interviews. Six themes emerged in the data. Three themes reflected Neurologic Music Therapists’ perceived areas of strength for NMT as a model: 1) Supported by Empirical Evidence; 2) Client and Caregiver Agency; and 3) Helpful in Addressing Specific Goals. Three themes reflected perceived areas for potential improvement for NMT as a model: 1) Issues with the Academy of Neurologic Music Therapy and the NMT Training; 2) Ableism in Practice; and 3) Narrow Goal Areas. This study adds information to gaps in the literature and could act as a starting point for further studies exploring the strengths and limitations of NMT. Due to limited representation in the participant group, this researcher would recommend repeating this study with a larger group of participants representing a wider range of identities.
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Year Issued: 2024

Author: Watson, Amanda
Sub-title: areas of strength and areas for potential growth

Title: Exploring music therapists’ attitudes towards disability and sexuality
Year Issued: 2024

Abstract: Music therapy has historically not addressed sex as a topic within clinical practice despite its clinical relevance to the human experience. As a field that works with an abundance of disabled clients who are often harmed by social and systemic infantilization which ...
Show moreMusic therapy has historically not addressed sex as a topic within clinical practice despite its clinical relevance to the human experience. As a field that works with an abundance of disabled clients who are often harmed by social and systemic infantilization which prevents them from access to sexual knowledge, it could be argued that music therapists should be trained to provide basic levels of support to this community in particular given the high level of need. Nevertheless, there are many questions and conflicting ideas around music therapy scope of practice as it pertains to these topics, barriers to education and clinical implementation and viable solutions to this gap in knowledge as a profession. While the music therapy literature has seen an increase in disability justice research in recent years, it offers little to nothing on the topic of engaging in clinically relevant discussion of sex, and most certainly not within the context of disability. This study aimed to examine music therapists’ educational and clinical experiences on engaging in sexual topics with disabled clients, as well as measuring personal feelings of comfort in engaging in these conversations. It was conducted via an anonymous survey intended to collect quantitative and qualitative data from a wide array of music therapists. Data was collected and analyzed according to an objectivist framework and qualitative data in particular was analyzed for common themes. Results indicate a lack of training and education in the facilitation of such topics, and the majority of participants reported complex feelings on the various intersecting layers of these conversations. While many reported feeling discomfort in relation to this topic, so too did many indicate a desire to reflect more critically and intentionally on the subject. It is hoped that this study’s data will serve as an impetus for our field to shift cultural and education practices to better prepare therapists for these conversations on these topics.
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Author: Miller, Francesca

Title: Exploring music therapists' experiences of sharing pronouns within group therapy
Year Issued: 2024

Abstract: If music therapists are following the code of ethics, they should be striving to provide inclusive practices. This includes how gender, and its concepts are communicated by therapists. In context of clinical group work, promoting gender inclusivity can be cultivated ...
Show moreIf music therapists are following the code of ethics, they should be striving to provide inclusive practices. This includes how gender, and its concepts are communicated by therapists. In context of clinical group work, promoting gender inclusivity can be cultivated through disclosure and musical choices. Additionally, there are contextual factors that influence clinical decisions made by the therapist. These factors can impact how gender identity is shared and explored by the therapist and clients in the group setting. There is growing research in the music therapy and counseling field regarding the impact of disclosing gender pronouns as well as how the therapeutic relationship is perceived to be impacted by the act of sharing pronouns with clients. However, minimal research has been curious towards how these decisions are made by the clinicians. This thesis aimed to explore the experiences of music therapists sharing or not sharing their pronouns within group settings, and how pronouns are considered when selecting songs for clinical experiences. Semi-structured interviews were conducted with five participants, who were recruited from social media postings. Through thematic analysis, four themes emerged from the data: 1) potential for harm, 2) culturally affirming practices, 3) context, and 4) musical considerations. The researcher hopes this research will be a useful addition to the growing literature exploring gender-inclusive music therapy practices.
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Author: Ambrose, Elizabeth

Title: In a Big Voice
Abstract: In this autoethnography, I utilized a handful of different techniques to recall, examine, and share my experiences while entering, being in, and leaving the field of music therapy. Those included: chronological listing, narrative journaling, songwriting, lyric analys...
Show moreIn this autoethnography, I utilized a handful of different techniques to recall, examine, and share my experiences while entering, being in, and leaving the field of music therapy. Those included: chronological listing, narrative journaling, songwriting, lyric analysis, and external collaborators. Examining the autoethnography revealed specific themes about my experience with music therapy, including the role of my identity and privilege, systemic pressures, resistance to systemic pressures, non-profit specific ethics, and community support. Sharing these specific experiences and themes aims to add to a growing literature of music therapy burnout, including why music therapists leave the field, what specific experiences feel like, and where music therapists go after leaving the field.
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Year Issued: 2024

Author: Cumine, Colby
Sub-title: An autoethnography on entering, being in, and leaving the field of music therapy

Title: The impact of a short-term music therapy program on emotional regulation development in preschool age children following the COVID-19 pandemic
Year Issued: 2024

Abstract: Early child development has been impacted by the COVID-19 pandemic, which effects later development through school and adulthood (Davies et al., 2021; Jiao et al. 2020; Paulauskaite et al., 2021; Spiteri, 2021; Takahashi and Honda, 2021; Timmons et al., 2021). Concer...
Show moreEarly child development has been impacted by the COVID-19 pandemic, which effects later development through school and adulthood (Davies et al., 2021; Jiao et al. 2020; Paulauskaite et al., 2021; Spiteri, 2021; Takahashi and Honda, 2021; Timmons et al., 2021). Concerns related to early childhood development of academic and social-emotional skills, including emotion regulation, have arisen due to isolation during the COVID-19 pandemic, which have been linked to increased school readiness, forming positive relationships, and preventing maladaptive behaviors in older childhood and adulthood. Music therapy has been shown to support emotion regulation skills in older childhood and adolescence (Foran, 2009; Ross, 2016; Williams, 2018; Zhenyu and Zhenhua, 2022). There is limited research on the use of music therapy in early childhood for emotion regulation. Since the developmental impact of the COVID-19 pandemic, it is imperative to understand ways music therapy can support emotion regulation development in early childhood. This study used a short-term music therapy program focused on shifting arousal levels in preschool-age children to understand the effect on emotion regulation skill development in early childhood with two groups experiencing music therapy over the course of eight weeks compared to eight weeks of typical learning. Participants were assessed at baseline, following music therapy, and following typical learning for emotion regulation skills. 83% of participants experienced a reduction in behavioral concerns with music therapy. Half of participants increased self-regulation with music therapy. On average all participants with music therapy intervention increased social-emotional and attention and self-control skills. This research shows potential for improving emotion-regulation skill in early childhood, but future research is needed with a larger sample size. Other areas of social-emotional skills could benefit from future research in preschool-age children, such as attachment.
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Author: Oldland, Kelsey

Title: Building community and exploring identity through culturally focused music-making for biracial Filipino/a/x/ Americans in the United States
Year Issued: 2024

Abstract: This qualitative focus group study explores the use of music in building community and exploring themes of identity for biracial Filipino/a/x Americans, while also introducing participants to cultural values. Participants included Aurora, Lynn, and Kim (pseudonyms); ...
Show moreThis qualitative focus group study explores the use of music in building community and exploring themes of identity for biracial Filipino/a/x Americans, while also introducing participants to cultural values. Participants included Aurora, Lynn, and Kim (pseudonyms); all identify as biracial or multiethnic Filipinos. Aurora participated in all 6 music therapy sessions. Lynn participated in the first session. Kim was only able to participate in music therapy sessions 2 and 3, due to having to start fall term for her second year of music therapy studies. The first four sessions focused on a Filipino/a/x cultural value: Kapwa, Utang Ng Loob, Hiya, and Pakikisama. The fifth session involved a recap of the previous sessions and discussion of a topic related to lived experiences that occurred the week after the previous session. Session 6 focused on a recap of the cultural values that were explored and resulted in a songwriting session focusing on Hiya. Findings indicated that participants felt a closer connection to their biracial Filipino/a/x identity by being in a space with other participants who also identified as biracial Filipino/a/x, creating a space to be authentic and vulnerable, and utilizing music as a focused tool to explore identity. An implication of this study is that music therapy is an untapped allied health care resource for the Filipino community. Additionally, there is a need for biracial Asian and Filipino healthcare providers. Currently, to my knowledge there are only two Filipino board-certified music therapists in the state of Oregon both of which are biracial, including the investigator. Future studies should continue to explore the nuanced experiences of biracial Filipino/a/x individuals, with an emphasis on expanding sample sizes, incorporating intergenerational perspectives, the duality of identity, and deepening cultural specificity in therapeutic practices.
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Author: Steinhebel, Jessica

Title: Clinicians' perceptions of the certification board for music therapists exam
Year Issued: 2024

Abstract: This study utilized survey research to determine contributing factors to the downward trend in passing rates for the board certification examination for music therapists from the test takers’ perspectives. This was accomplished by inquiring about test preparation, te...
Show moreThis study utilized survey research to determine contributing factors to the downward trend in passing rates for the board certification examination for music therapists from the test takers’ perspectives. This was accomplished by inquiring about test preparation, test-taking experiences, test accessibility, and perceptions about the overall structure of the exam. 76.67% of participants indicated that they were White or European, 16.67% were Hispanic or Latino/a, and 3.33% were American Indian or Alaska Native, 96.43% were female, and 61% passed the exam on their first attempt. 75% of survey respondents said that the exam was accessible to their individual test taking needs. Survey participants in both categories, those who passed on their first attempt and those who did not, reported experiencing restrictions that hindered them from (re)taking the CBMT exam. When asked whether or not they agreed with the statement “My exam score(s) reflect my competence as a music therapist,” 57% of participants disagreed to some extent. When those who did not pass on their first attempt were asked how this impacted their self-concept, there was a common theme among respondents. Using words like failure, dreadful, discouraged, and defeated to describe how they felt after not passing, it was clear that many exam candidates put a strong emphasis on this exam and what it indicates about them as a music therapist. Nearly half of the respondents admitted to experiencing test taking anxiety which made taking the CBMT exam more challenging. Participants noted that the most challenging section for exam candidates overall was treatment, implementation, and termination. 67% of respondents agreed to some degree that their undergraduate program’s approach/philosophy was well-rounded enough to fully prepare them for the exam. Yet, 46% believe that the content of these same programs did not fully prepare them for the exam. That said, most survey respondents also disclosed that they received little to no support from academic professors when preparing for the exam.
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Author: Miller, Sara

Title: Recognizing and navigating dynamics of power in the therapeutic relationship
Abstract: This critical thematic analysis study aims to explore how music therapists identify and navigate the complex dynamics of power in therapeutic relationships. Current literature illustrates how various theoretical lens’ view and address power structures in therapy, poi...
Show moreThis critical thematic analysis study aims to explore how music therapists identify and navigate the complex dynamics of power in therapeutic relationships. Current literature illustrates how various theoretical lens’ view and address power structures in therapy, pointing to a multifaceted understanding of power in therapy. Participants (n=6) were selected purposively to represent music therapists who had access to varying degrees of power in the therapeutic context as a result of their identity markers. They each completed a 45-60 minute interview that included questions related to sociocultural identity, understanding of power, dynamics of power in music therapy, how they navigate power dynamics, and reflexive practice. The interviews were coded and analyzed, then grouped into themes. Six themes and 36 sub themes emerged in the data: dynamics of power (inherent, multifaceted, intersectional and contextual, reciprocal, relational, omnipresent, systemic, privilege, access), associations with power (negative, neutral, positive), therapist responsibilities (safety of client, supervision and accountability, reflexivity, acuity, humility, curiosity, supportive, music as container, honesty), external expectations (therapist as expert, parent and guardian expectations, pressure to comply, loss of power, idealization of therapist), missed opportunities (advocacy, connection, humanizing therapist), and strategies of navigating power (challenging ideology, contesting hegemony, unmasking power, overcoming alienation, learning liberation, reclaiming epistemic agency, practicing democracy). From the findings, it is evident that music therapists may hold largely negative perceptions of power and could benefit from a more nuanced understanding as they address power imbalances in therapeutic contexts.
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Year Issued: 2024

Author: O'Sullivan, Emily
Sub-title: Music therapists’ perspectives

Title: Understanding safety in music therapy
Year Issued: 2024

Abstract: Although there is a growing emphasis on trauma-informed care in music therapy clinical practice, research specifically addressing the concept of safety—particularly psychological and physical safety—remains limited. Therefore, this thesis aimed to understand the conc...
Show moreAlthough there is a growing emphasis on trauma-informed care in music therapy clinical practice, research specifically addressing the concept of safety—particularly psychological and physical safety—remains limited. Therefore, this thesis aimed to understand the concept of safety in the field of music therapy and how it informs practice, education, and professional interactions. Given the limited existing research on this topic, a grounded theory methodology was employed to generate a deeper understanding of how safety is conceptualized in the field based on the lived experiences and insights of practitioners. The primary researcher conducted semi-structured interviews with a total of 11 participants. The interviews were recorded and transcribed, and the transcripts were analyzed and coded using ATLAS.ti. The findings proposed the following theory: Within music therapy contexts, safety is a dynamic experience that is constantly negotiated and co-constructed by participants through prioritizing care and well-being in the relationship and conditions for safety, including trust, are present. Interpretations of findings, implications for music therapy practice, and recommendations for future research were included.
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Author: Hales, Grant

Title: Exploring music therapists' engagement in personal musicking
Year Issued: 2024

Abstract: This study explores music therapists’ experiences of personal musicking. The research question is: What role does personal musicking play in the music therapist’s life? Data was collected using individual, semi-structured interviews with five music therapists in the ...
Show moreThis study explores music therapists’ experiences of personal musicking. The research question is: What role does personal musicking play in the music therapist’s life? Data was collected using individual, semi-structured interviews with five music therapists in the United States. Interviews were transcribed and coded for themes using reflexive thematic analysis. Seven themes emerged from the participant transcripts, which were (1) facets of positive musical relationship; (2) personal and professional connections; (3) ways of musicking; (4) music aspirations; (5) hindrances to musical relationship; (6) emotions; and (7) barriers to musicking. Within each theme, three to six subthemes were also identified, totaling 30 subthemes. Participants described a variety of music experiences which contribute to a positive musical relationship though many internal and external factors inhibited their actual ability to engage in musicking as much as they would like or desire. Participants compared their experiences of musicking in clinical spaces with that of their personal musicking, and the boundaries drawn between clinical and personal music were unique to each participant. Implications for the music therapy profession include: considerations of thinking styles and values around different types of musicking; a call for curricula adaptation in music therapy training to encourage musical identity formation via many ways of musicking; and encouragement for practicing clinicians to continue exploring their sense of musicianship to maintain ethical practice and recognize the ways that musicking influences their own health and wellness.
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Author: McLean, Sarah

Title: Imagining a post–intentional phenomenology of cisnormativity
Abstract: My original plan for this thesis project was to conduct a phenomenological study that focuses on how cisnormativity influences and emerges through a clinician’s development of micro-skills, especially those who are transgender, Two Spirit, and Intersex or otherwise n...
Show moreMy original plan for this thesis project was to conduct a phenomenological study that focuses on how cisnormativity influences and emerges through a clinician’s development of micro-skills, especially those who are transgender, Two Spirit, and Intersex or otherwise non-conforming to the colonial gender paradigm (TTSI+) (Lugones, 2007). However, I struggled to find any phenomenological or clinical consideration of cisnormativity as a phenomenon, and it is rarely articulated as a system immersed in white supremacist bio-essentialism. So, this thesis is a philosophical inquiry that is grounded in Vagle’s post-intentional phenomenological (PIP) paradigm (2018). This inquiry details: 1) how the PIP paradigm may nurture more nuanced investigation of bio-essentialist systems of oppression, 2) how critical phenomenological and post-structural concepts in may be utilized to attend to cisnormativity as a phenomenon that is a part of the imperialist white supremacist capitalist cisheteropatriarchy (hooks, 1997; Yancy & hooks, 2015), 3) the productions and provocations of cisnormativity that emerged through my research process, 4) how these findings connect to current music therapy and related care work literature, and 5) what research project ideas have emerged for future study. Overall, I assert cisnormativity affects everyone, not just TTSI+ people. It is urgently important to slow down and open up to ways cisheteropatriarchy emerges through our habits, through text, and through theoretical frameworks, and to ways we may retroactively and proactively shift these dynamics. I hope my work enables all to nurture their reflexivity and resistance to bio-essentialist oppression through attending to relationships and holding consideration for the more-than-visual.
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Year Issued: 2023

Author: Inmon, Braedyn D'mitri
Sub-title: A philosophical inquiry

Title: Language discourse in music therapy
Abstract: The following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1...
Show moreThe following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1) To understand the therapists’ experiences of delivering music therapy services with interpreters, 2) To fill the gap in the music therapy literature on working with interpreters, 3) To serve as a resource for music therapists delivering music therapy services with interpreters, and 4) To combat the systemic issues of access and equity within the music therapy field. Data was collected through one-on-one semi-structured interviews with 5 music therapists. Data was then transcribed, coded, and thematized, resulting in 40 themes and seven domains: 1) Ways of working with interpreters, 2) Benefits of working with interpreters, 3) Drawbacks of working with interpreters, 4) Music therapists’ feelings when working with interpreters, 5) Potential reasons for not working with interpreters, 6) Dangers of not working with interpreters, and 7) Considerations for music therapists working with interpreters. The findings indicate areas of growth and the need for increased education for music therapists when working with interpreters. Music therapists are also challenged to confront their own privileged stances on the issues of language and linguistic privilege within the U.S., as related to working with patients with limited English proficiency and from historically marginalized communities within music therapy.
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Year Issued: 2023

Author: Obermeier, Victoria
Sub-title: Therapists' experiences of delivering music therapy services with interpreters

Title: Group music therapy for LGBTQIA+ parents experiencing postpartum depression and anxiety
Abstract: A mixed methods research study involving an eight-week music therapy group was facilitated virtually for LGBTQIA+ parents experiencing postpartum mood and anxiety disorders. The Edinburgh Postnatal Depression Scale was administered upon first session and last session...
Show moreA mixed methods research study involving an eight-week music therapy group was facilitated virtually for LGBTQIA+ parents experiencing postpartum mood and anxiety disorders. The Edinburgh Postnatal Depression Scale was administered upon first session and last session to capture potential impact of music therapy group on mental health over time. The Brief Mood Introspection Scale was administered at the beginning and end of each session to capture short term impact of group music therapy. A semi-structured focus group was facilitated to capture experiences of and feedback from participants, and interviews were scheduled with participants who did not attend the focus group. Interviews and the focus group were transcribed and analyzed and six themes were identified: community and solidarity built around shared experiences, music within and beyond the group, expansiveness and generativity in parenthood, response to experience, attendance and timing challenges, and accessibility. The Edinburgh Postnatal Depression Scale did not show statistically significant changes in mood over the course of the eight-week group but was limited by sample size and an outlier score. The Brief Mood Introspection Scale showed more significant trends in increased pleasant mood, decreased stress, and increased positivity after the session. When LGBTQIA+ parents were able to attend the session, they reported meaningful impacts despite attendance challenges. Findings may be useful in developing music therapy practice and research.
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Year Issued: 2023

Author: Nelson, Maryrose Nieman
Sub-title: a mixed methods study

Title: Music therapists' experiences working in a setting that values censorship
Abstract: This qualitative study examined the experiences of music therapists that work in an environment that promotes censorship practices. There are several studies that discuss censorship practices across helping professions but few studies within music therapy literature....
Show moreThis qualitative study examined the experiences of music therapists that work in an environment that promotes censorship practices. There are several studies that discuss censorship practices across helping professions but few studies within music therapy literature. Music therapy code of ethics and education stress the importance of self-reflection and recognizing biases for the therapist, however there is minimal information on biases when applying censorship practices. As a helping profession nonmaleficence is emphasized, however there is a paucity of research that includes the relationship between harm and censorship. Additionally, music therapy research and education identifies the need for culturally responsive practices, however have not included censorship and its effects on the therapist and participants in this movement. In this study seven participants engaged in one semi-structured interview to describe their experiences and relationships with self, clients, coworkers and larger institutions when experiencing censorship practices. Results demonstrate three overarching themes of values and beliefs, responses and navigating power in relationships. Each theme had at least three levels which described the experience of the client, therapist, co-workers and institution. These narratives and results suggest the need for continued research and discussion in the music therapy community on harm that may occur through censoring songs and experiences and ethical implications.
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Year Issued: 2023

Author: Boyce, Emily
Sub-title: an interpretative phenomenological analysis

Title: Queer clients' experiences of harm in therapy
Year Issued: 2023

Abstract: This thesis aimed to explore how queer clients experience harm in music therapy and how that harm impacted the therapeutic relationship and process. Upon completing an initial interest and demographic survey, four participants were selected to participate in semi-str...
Show moreThis thesis aimed to explore how queer clients experience harm in music therapy and how that harm impacted the therapeutic relationship and process. Upon completing an initial interest and demographic survey, four participants were selected to participate in semi-structured Zoom interviews. Interviews were transcribed and coded, resulting in seven themes: 1) therapist responses, 2) client responses, 3) qualities of the therapeutic relationship, 4) client perceptions of therapist, 5) impact on client and the therapeutic process, 6) barriers to accessing therapy, and 7) what builds safety and trust. Findings are discussed in relation to the research questions, and implications for clinical practice and suggestions for future research are also provided.
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Author: Neumann, Jess

Title: Sexual offenders in western Pennsylvania
Abstract: In the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses p...
Show moreIn the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses posed to community members. However, despite the enactment of such policies, debates regarding the effectiveness of sex offender registration and notification (SORN) requirements continue, with critics arguing that policies are founded on conclusions gained from research that overlooks a portion of the sex-offending population: females who sexually offend. Therefore, the objective of this paper was to explore the prevalence and nature of female sex offending in Allegheny County. Results demonstrated that female sex offenders accounted for 2.8% of the total convicted sexual offender population in Allegheny. Additionally, females were primarily White and, on average, younger than male offenders. A significant proportion of females (82.1%) had a minor victim, and the study's findings also determined that lifetime registry was the highest occurring tier classification for both males and females. Types of primary offenses that females were convicted of included charges such as sex trafficking (7.7%) and indecent assault (30.8%), with indecent assault also as the most frequent sub-offense conviction (12.8%). Lastly, results exhibited that male (M = 7.46, SD = 3.221) and female (M = 6.46, SD = 2.602) sex offenders in Allegheny County did not have significantly different offense gravity scores.
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Year Issued: 2023

Author: Kuhn, Elizabeth
Sub-title: An analysis of Megan's Law registrants

Title: The music therapist's experience of conflicting approaches in the workplace
Year Issued: 2023

Abstract: This thesis aimed to explore the lived experiences of music therapists who practice from a different approach than the behavioral setting in which they work. I was interested in whether other music therapists experienced a dissonance that stemmed from conflicting app...
Show moreThis thesis aimed to explore the lived experiences of music therapists who practice from a different approach than the behavioral setting in which they work. I was interested in whether other music therapists experienced a dissonance that stemmed from conflicting approaches in their workplace, as I experienced this dissonance as a new music therapist. After completing an initial interest and demographic survey, nine participants were selected to participate in interviews, where they were asked predetermined questions about their approach to treatment, their facility's approach to treatment, and how they experienced and navigated this conflict. After coding, themes were organized using ATLAS.ti. Five themes emerged: 1) relationships, 2) power dynamics, 3) perceptions, 4) feelings, and 5) bridging approaches. Interpretations of the findings were provided, as well as recommendations for future research and implications for music therapy practice.
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Author: Goodenough, Haylee