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Sexual Offenders in Western PennsylvaniaAn Analysis of Megan's Law RegistrantsIn the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses p...
Show moreIn the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses posed to community members. However, despite the enactment of such policies, debates regarding the effectiveness of sex offender registration and notification (SORN) requirements continue, with critics arguing that policies are founded on conclusions gained from research that overlooks a portion of the sex-offending population: females who sexually offend. Therefore, the objective of this paper was to explore the prevalence and nature of female sex offending in Allegheny County. Results demonstrated that female sex offenders accounted for 2.8% of the total convicted sexual offender population in Allegheny. Additionally, females were primarily White and, on average, younger than male offenders. A significant proportion of females (82.1%) had a minor victim, and the study's findings also determined that lifetime registry was the highest occurring tier classification for both males and females. Types of primary offenses that females were convicted of included charges such as sex trafficking (7.7%) and indecent assault (30.8%), with indecent assault also as the most frequent sub-offense conviction (12.8%). Lastly, results exhibited that male (M = 7.46, SD = 3.221) and female (M = 6.46, SD = 2.602) sex offenders in Allegheny County did not have significantly different offense gravity scores.
Show less2023
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Language Discordance in Music TherapyTherapists’ Experiences of Delivering Music Therapy Services with InterpretersThe following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1...
Show moreThe following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1) To understand the therapists’ experiences of delivering music therapy services with interpreters, 2) To fill the gap in the music therapy literature on working with interpreters, 3) To serve as a resource for music therapists delivering music therapy services with interpreters, and 4) To combat the systemic issues of access and equity within the music therapy field. Data was collected through one-on-one semi-structured interviews with 5 music therapists. Data was then transcribed, coded, and thematized, resulting in 40 themes and seven domains: 1) Ways of working with interpreters, 2) Benefits of working with interpreters, 3) Drawbacks of working with interpreters, 4) Music therapists’ feelings when working with interpreters, 5) Potential reasons for not working with interpreters, 6) Dangers of not working with interpreters, and 7) Considerations for music therapists working with interpreters. The findings indicate areas of growth and the need for increased education for music therapists when working with interpreters. Music therapists are also challenged to confront their own privileged stances on the issues of language and linguistic privilege within the U.S., as related to working with patients with limited English proficiency and from historically marginalized communities within music therapy.
Show less2023
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Music, identity, and authenticityreflecting the narratives of black queer men through piano-based music improvisationThis thesis is the dissemination of the findings of a research study exploring piano-based music improvisation and the lived experience of Black queer men. The overall aim was to explore how five Black queer men experience the intersections of their racial identity a...
Show moreThis thesis is the dissemination of the findings of a research study exploring piano-based music improvisation and the lived experience of Black queer men. The overall aim was to explore how five Black queer men experience the intersections of their racial identity and sexuality in various social environments through piano-based music improvisation. This study grew out of my own experiences as a Black queer man and my ability or lack thereof to authentically express my racial identity and sexuality in specific social environments. Participants were chosen through convenience sampling and were prompted to engage in a series of piano improvisations, where they were asked to musically communicate how they experience their racial identity and sexuality within their biological family, friend group, and society. Data was collected through video recordings of the improvisations, written reflections to questions about the experience, and through transcriptions of the member checking discussions. Following each improvisation, participants were asked to reflect upon two questions regarding their process and experience during the improvisation. The recorded improvisations were then analyzed using Dr. Kenneth Bruscia’s Improvisation Assessment Profiles (IAPs) and interpretations about the participants’ experiences were made. Member checking was utilized to ensure an accurate representation of the participants’ experiences. Themes of 1) prejudice, 2) sense of identity, 3) impacts of relationships, and 4) responses to trauma that emerged in the verbal data were discussed in the context of the individual and collective experiences of the participants with implications for the practice of music therapy.
Show less2021
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Loneliness, COVID-19, and Music: Experiences of Older Adults in a Nursing HomeThis thesis explores the experiences of older adults during the lockdown due to the COVID-19 pandemic. While this research is about a specific time in history, the information that has been gathered from it is has been relevant for decades. In this study, fifteen ind...
Show moreThis thesis explores the experiences of older adults during the lockdown due to the COVID-19 pandemic. While this research is about a specific time in history, the information that has been gathered from it is has been relevant for decades. In this study, fifteen individuals residing at a nursing home where I worked, as a music therapist working in the activities department, share their experiences of loneliness during lockdown that resulted from the COVID-19 pandemic. This study was conducted by gathering data both qualitatively and quantitatively. Each participant completed a loneliness scale questionnaire and took part in a semi-structured interview. Questionnaire data were analyzed using descriptive statistics. The interview content was coded using descriptive coding and grouped into themes and analyzed. Themes emerged to coincide with Elisabeth Kübler-Ross’s 5 Stages of Grief. These themes were Not Feeling Any Different/Nothing Has Changed, Feelings of Frustration/Feeling Restricted, Wishing Things Were Different, Feelings of Loss, and Feelings of Acceptance, Hope, and Faith. Additionally, a theme centered around the role of music in participants’ lives. Discussion of the of the implications of the results of this study, as well as limitations and recommendations for future research were explored.
Show less2021