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Title: Imagining a post–intentional phenomenology of cisnormativity
Abstract: My original plan for this thesis project was to conduct a phenomenological study that focuses on how cisnormativity influences and emerges through a clinician’s development of micro-skills, especially those who are transgender, Two Spirit, and Intersex or otherwise n...
Show moreMy original plan for this thesis project was to conduct a phenomenological study that focuses on how cisnormativity influences and emerges through a clinician’s development of micro-skills, especially those who are transgender, Two Spirit, and Intersex or otherwise non-conforming to the colonial gender paradigm (TTSI+) (Lugones, 2007). However, I struggled to find any phenomenological or clinical consideration of cisnormativity as a phenomenon, and it is rarely articulated as a system immersed in white supremacist bio-essentialism. So, this thesis is a philosophical inquiry that is grounded in Vagle’s post-intentional phenomenological (PIP) paradigm (2018). This inquiry details: 1) how the PIP paradigm may nurture more nuanced investigation of bio-essentialist systems of oppression, 2) how critical phenomenological and post-structural concepts in may be utilized to attend to cisnormativity as a phenomenon that is a part of the imperialist white supremacist capitalist cisheteropatriarchy (hooks, 1997; Yancy & hooks, 2015), 3) the productions and provocations of cisnormativity that emerged through my research process, 4) how these findings connect to current music therapy and related care work literature, and 5) what research project ideas have emerged for future study. Overall, I assert cisnormativity affects everyone, not just TTSI+ people. It is urgently important to slow down and open up to ways cisheteropatriarchy emerges through our habits, through text, and through theoretical frameworks, and to ways we may retroactively and proactively shift these dynamics. I hope my work enables all to nurture their reflexivity and resistance to bio-essentialist oppression through attending to relationships and holding consideration for the more-than-visual.
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Year Issued: 2023

Author: Inmon, Braedyn D'mitri
Sub-title: A philosophical inquiry

Title: Language discourse in music therapy
Abstract: The following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1...
Show moreThe following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1) To understand the therapists’ experiences of delivering music therapy services with interpreters, 2) To fill the gap in the music therapy literature on working with interpreters, 3) To serve as a resource for music therapists delivering music therapy services with interpreters, and 4) To combat the systemic issues of access and equity within the music therapy field. Data was collected through one-on-one semi-structured interviews with 5 music therapists. Data was then transcribed, coded, and thematized, resulting in 40 themes and seven domains: 1) Ways of working with interpreters, 2) Benefits of working with interpreters, 3) Drawbacks of working with interpreters, 4) Music therapists’ feelings when working with interpreters, 5) Potential reasons for not working with interpreters, 6) Dangers of not working with interpreters, and 7) Considerations for music therapists working with interpreters. The findings indicate areas of growth and the need for increased education for music therapists when working with interpreters. Music therapists are also challenged to confront their own privileged stances on the issues of language and linguistic privilege within the U.S., as related to working with patients with limited English proficiency and from historically marginalized communities within music therapy.
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Year Issued: 2023

Author: Obermeier, Victoria
Sub-title: Therapists' experiences of delivering music therapy services with interpreters

Title: Loneliness, Covid-19, and music
Abstract: This thesis explores the experiences of older adults during the lockdown due to the COVID-19 pandemic. While this research is about a specific time in history, the information that has been gathered from it is has been relevant for decades. In this study, fifteen ind...
Show moreThis thesis explores the experiences of older adults during the lockdown due to the COVID-19 pandemic. While this research is about a specific time in history, the information that has been gathered from it is has been relevant for decades. In this study, fifteen individuals residing at a nursing home where I worked, as a music therapist working in the activities department, share their experiences of loneliness during lockdown that resulted from the COVID-19 pandemic. This study was conducted by gathering data both qualitatively and quantitatively. Each participant completed a loneliness scale questionnaire and took part in a semi-structured interview. Questionnaire data were analyzed using descriptive statistics. The interview content was coded using descriptive coding and grouped into themes and analyzed. Themes emerged to coincide with Elisabeth Kübler-Ross’s 5 Stages of Grief. These themes were Not Feeling Any Different/Nothing Has Changed, Feelings of Frustration/Feeling Restricted, Wishing Things Were Different, Feelings of Loss, and Feelings of Acceptance, Hope, and Faith. Additionally, a theme centered around the role of music in participants’ lives. Discussion of the of the implications of the results of this study, as well as limitations and recommendations for future research were explored.
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Year Issued: 2021

Author: Rieger, Rhiannon
Sub-title: Experiences of older adults in a nursing home

Title: Group music therapy for LGBTQIA+ parents experiencing postpartum depression and anxiety
Abstract: A mixed methods research study involving an eight-week music therapy group was facilitated virtually for LGBTQIA+ parents experiencing postpartum mood and anxiety disorders. The Edinburgh Postnatal Depression Scale was administered upon first session and last session...
Show moreA mixed methods research study involving an eight-week music therapy group was facilitated virtually for LGBTQIA+ parents experiencing postpartum mood and anxiety disorders. The Edinburgh Postnatal Depression Scale was administered upon first session and last session to capture potential impact of music therapy group on mental health over time. The Brief Mood Introspection Scale was administered at the beginning and end of each session to capture short term impact of group music therapy. A semi-structured focus group was facilitated to capture experiences of and feedback from participants, and interviews were scheduled with participants who did not attend the focus group. Interviews and the focus group were transcribed and analyzed and six themes were identified: community and solidarity built around shared experiences, music within and beyond the group, expansiveness and generativity in parenthood, response to experience, attendance and timing challenges, and accessibility. The Edinburgh Postnatal Depression Scale did not show statistically significant changes in mood over the course of the eight-week group but was limited by sample size and an outlier score. The Brief Mood Introspection Scale showed more significant trends in increased pleasant mood, decreased stress, and increased positivity after the session. When LGBTQIA+ parents were able to attend the session, they reported meaningful impacts despite attendance challenges. Findings may be useful in developing music therapy practice and research.
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Year Issued: 2023

Author: Nelson, Maryrose Nieman
Sub-title: a mixed methods study

Title: Queens of Slippery Rock Oral History Collection

Abstract: The Queens of Slippery Rock Oral History project was conceived by Dr. Mark O'Connor, an associate professor of English at SRU. Rose Xavier, an English literature major from the class of 2018, researched and conducted interviews of Slippery Rock Homecoming Queens. The...
Show moreThe Queens of Slippery Rock Oral History project was conceived by Dr. Mark O'Connor, an associate professor of English at SRU. Rose Xavier, an English literature major from the class of 2018, researched and conducted interviews of Slippery Rock Homecoming Queens. The research culminated in the essay “Queens of Slippery Rock” co-authored by Xavier and Brenna Waugaman for the 2018 edition of SLAB literary magazine.
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Title: Embodied Speech Through Song
Abstract: Through queer autoethnography (i.e., queerly telling stories), I have explored the beginning development of a gender affirming voicework method within music therapy, informed by my personal experiences of seeking a more affirming voice for myself as a nonbinary trans...
Show moreThrough queer autoethnography (i.e., queerly telling stories), I have explored the beginning development of a gender affirming voicework method within music therapy, informed by my personal experiences of seeking a more affirming voice for myself as a nonbinary trans person, specifically doing this through my singing voice. This was further informed by literature from the fields of speech-language pathology, vocal pedagogy, and music therapy. This method will potentially provide a uniquely holistic space, working with the physical voice in terms of working on gendered behavioral changes and healthy vocal habits; the psychological voice in terms of supporting the emotional relationship that a person has with their voice, body, and Self; and the body in terms of encouraging relaxation and groundedness as well as working with the ways a person expresses/relates to their voice, body, and Self. In attempts to ignite a conversation around the possibilities of gender-based work within music therapy for trans, nonbinary, and cis individuals, I share my experiences of engaging in gender affirming voicework. Although this voicework is likely relevant to all individuals, it is perhaps more pertinent for trans and nonbinary folk. This is reflected throughout my autoethnography.
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Year Issued: 2019

Author: Gumble, Maevon
Sub-title: A Queer Autoethnographic Exploration of Gender Affirming Voicework in Music Therapy

Title: Potentials and barriers to culturally responsive music therapy education
Abstract: Abstract This qualitative focus group study explored perceptions of potentials and barriers to cultural responsiveness in music therapy education. Music therapy literature calls for an increase in culturally informed music therapy practice. However, despite cultural ...
Show moreAbstract This qualitative focus group study explored perceptions of potentials and barriers to cultural responsiveness in music therapy education. Music therapy literature calls for an increase in culturally informed music therapy practice. However, despite cultural considerations present in music therapy professional competencies, there are no standards for culturally responsive pedagogical practices. Simultaneously, there has been an acknowledgment in the music therapy literature of challenges to culturally responsive practices, such as the homogeneous, privileged identities dominant in music therapy's professional demographics, compounded by the privileging of Western classical music in music therapy education. In this exploratory study, an online focus group discussion was facilitated with seven music therapy educators to explore their perspectives on the definition of culturally responsive education, their reflective evaluations of their pedagogical practices, their perspectives on how standards of music therapy education inform and/or hinder the ability to foster cultural responsiveness, and their respective outlooks on how potentials and barriers to cultural responsiveness are impacting education, research, theory, and practice. Results demonstrated that educators who value cultural responsiveness believe it is being overlooked in the field of music therapy. Six themes with 34 sub-themes were found: defining cultural responsiveness (stances of humility, self-awareness, continual and constant attention, knowledge of systems of power, self-critique, process, accountability, skills), relevance to clinical practice (ethical responsibility, effect on the therapeutic relationship, effective versus ineffective practice), approaches in education (dedicated course work, infused throughout the program, gradually increasing depth, beyond the classroom, from the beginning, dialogical over technical, experiential learning), preparedness (personal/professional growth practice, training for supervisors and faculty, staying informed), institutional attitudes (the need for changing attitudes, the field is improving, superficiality, the burden on marginalized faculty, commitment to social justice, support from administration), and barriers (Eurocentricity, lack of diversity, AMTA, jam-packed program, no specific training, the need for research). These findings offer recommendations for how the field of music therapy approaches cultural responsiveness in our training programs.
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Year Issued: 2019

Author: Bain, Candice
Sub-title: Perspectives of music therapy educators

Title: Music therapists' experiences working in a setting that values censorship
Abstract: This qualitative study examined the experiences of music therapists that work in an environment that promotes censorship practices. There are several studies that discuss censorship practices across helping professions but few studies within music therapy literature....
Show moreThis qualitative study examined the experiences of music therapists that work in an environment that promotes censorship practices. There are several studies that discuss censorship practices across helping professions but few studies within music therapy literature. Music therapy code of ethics and education stress the importance of self-reflection and recognizing biases for the therapist, however there is minimal information on biases when applying censorship practices. As a helping profession nonmaleficence is emphasized, however there is a paucity of research that includes the relationship between harm and censorship. Additionally, music therapy research and education identifies the need for culturally responsive practices, however have not included censorship and its effects on the therapist and participants in this movement. In this study seven participants engaged in one semi-structured interview to describe their experiences and relationships with self, clients, coworkers and larger institutions when experiencing censorship practices. Results demonstrate three overarching themes of values and beliefs, responses and navigating power in relationships. Each theme had at least three levels which described the experience of the client, therapist, co-workers and institution. These narratives and results suggest the need for continued research and discussion in the music therapy community on harm that may occur through censoring songs and experiences and ethical implications.
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Year Issued: 2023

Author: Boyce, Emily
Sub-title: an interpretative phenomenological analysis

Title: Music therapists' perceptions of the effects of tele-music therapy on client access
Year Issued: 2021

Abstract: This qualitative focus group study explored how music therapists are understanding and responding to changes in client access since the move toward tele-music therapy spurred by the recent COVID-19 virus outbreak. Coming from a recognition of histories of health acce...
Show moreThis qualitative focus group study explored how music therapists are understanding and responding to changes in client access since the move toward tele-music therapy spurred by the recent COVID-19 virus outbreak. Coming from a recognition of histories of health access disparity for underserved populations, this study also sought music therapists’ perspectives on how specific cultural groups and identities may have been unequally affected in terms of access to tele-music therapy. In this study, a synchronous online focus group discussion was facilitated with six music therapists to explore their perspectives regarding the benefits and challenges of tele-music therapy, particularly in terms of client access, and to explore ways these therapists found to respond to any challenges or disparities in access they encountered. Results suggest that music therapists are finding a complex set of both benefits and challenges in terms of their clients accessing tele-music therapy. Four themes with 18 sub-themes were found: challenges/barriers to access (technology challenges, inequities in access, facility- or population-related barriers, safety concerns, challenges of in-home sessions, and hard choices), bridging the barriers (benefits to specific populations, in-home session benefits, bridging distance, and finding solutions), making music in tele-music therapy (music-making challenges, singing, musical instruments and technology, and musical solutions), and the future role of tele-music therapy (hopes and concerns, preparing for the future, and possibilities.) These findings offer recommendations for the continued use of tele-music therapy even beyond the current pandemic. Keywords: telehealth access, barriers to access, underserved populations, COVID-19
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Author: Landes, David

Title: Queer clients' experiences of harm in therapy
Year Issued: 2023

Abstract: This thesis aimed to explore how queer clients experience harm in music therapy and how that harm impacted the therapeutic relationship and process. Upon completing an initial interest and demographic survey, four participants were selected to participate in semi-str...
Show moreThis thesis aimed to explore how queer clients experience harm in music therapy and how that harm impacted the therapeutic relationship and process. Upon completing an initial interest and demographic survey, four participants were selected to participate in semi-structured Zoom interviews. Interviews were transcribed and coded, resulting in seven themes: 1) therapist responses, 2) client responses, 3) qualities of the therapeutic relationship, 4) client perceptions of therapist, 5) impact on client and the therapeutic process, 6) barriers to accessing therapy, and 7) what builds safety and trust. Findings are discussed in relation to the research questions, and implications for clinical practice and suggestions for future research are also provided.
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Author: Neumann, Jess

Title: Music, identity, and authenticity
Abstract: This thesis is the dissemination of the findings of a research study exploring piano-based music improvisation and the lived experience of Black queer men. The overall aim was to explore how five Black queer men experience the intersections of their racial identity a...
Show moreThis thesis is the dissemination of the findings of a research study exploring piano-based music improvisation and the lived experience of Black queer men. The overall aim was to explore how five Black queer men experience the intersections of their racial identity and sexuality in various social environments through piano-based music improvisation. This study grew out of my own experiences as a Black queer man and my ability or lack thereof to authentically express my racial identity and sexuality in specific social environments. Participants were chosen through convenience sampling and were prompted to engage in a series of piano improvisations, where they were asked to musically communicate how they experience their racial identity and sexuality within their biological family, friend group, and society. Data was collected through video recordings of the improvisations, written reflections to questions about the experience, and through transcriptions of the member checking discussions. Following each improvisation, participants were asked to reflect upon two questions regarding their process and experience during the improvisation. The recorded improvisations were then analyzed using Dr. Kenneth Bruscia’s Improvisation Assessment Profiles (IAPs) and interpretations about the participants’ experiences were made. Member checking was utilized to ensure an accurate representation of the participants’ experiences. Themes of 1) prejudice, 2) sense of identity, 3) impacts of relationships, and 4) responses to trauma that emerged in the verbal data were discussed in the context of the individual and collective experiences of the participants with implications for the practice of music therapy.
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Year Issued: 2021

Author: Perkins, Fred
Sub-title: reflecting the narratives of black queer men through piano-based music improvisation

Title: Sexual offenders in western Pennsylvania
Abstract: In the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses p...
Show moreIn the United States, the implementation of sex offender legislation, such as the passing of the Jacob Wetterling Act in 1994, was initiated to improve the response to the increasing perception of public safety concerns that individuals convicted of sexual offenses posed to community members. However, despite the enactment of such policies, debates regarding the effectiveness of sex offender registration and notification (SORN) requirements continue, with critics arguing that policies are founded on conclusions gained from research that overlooks a portion of the sex-offending population: females who sexually offend. Therefore, the objective of this paper was to explore the prevalence and nature of female sex offending in Allegheny County. Results demonstrated that female sex offenders accounted for 2.8% of the total convicted sexual offender population in Allegheny. Additionally, females were primarily White and, on average, younger than male offenders. A significant proportion of females (82.1%) had a minor victim, and the study's findings also determined that lifetime registry was the highest occurring tier classification for both males and females. Types of primary offenses that females were convicted of included charges such as sex trafficking (7.7%) and indecent assault (30.8%), with indecent assault also as the most frequent sub-offense conviction (12.8%). Lastly, results exhibited that male (M = 7.46, SD = 3.221) and female (M = 6.46, SD = 2.602) sex offenders in Allegheny County did not have significantly different offense gravity scores.
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Year Issued: 2023

Author: Kuhn, Elizabeth
Sub-title: An analysis of Megan's Law registrants

Title: A survey of the experiences of Arab music therapists' academic and cultural adjustment in music therapy training
Abstract: The field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and tra...
Show moreThe field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and training, the Arab community is a cultural group that has minimal representation in the music therapy literature. Throughout the Arab world the music therapy profession could still be regarded as being in its infancy stage. With limited international higher education programs in music therapy, most people living within the Arab region must travel to study. Previous research in music therapy and other mental health professions have indicated that international programs have fallen short in their ability to support the needs of international students, instead assuming they will acculturate with ease, and provide minimal education and guidance on ways therapeutic interventions can be adapted in various cultural contexts. This research study utilized a mixed-methods approach within a constructivist paradigm that pulls from feminist theoretical perspectives to better understand the educational and cultural experiences of Arab music therapists through an anonymous online survey. The data was analyzed for common themes that emerged. Overall, a majority of respondents felt that their music therapy education and training experience did not meet all of their cultural needs. The researchers hope that the data gathered will be useful for other Arab international music therapy students, but more importantly, that it will help guide and inform music therapy programs globally in their efforts to better support the needs of Arab music therapy students.
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Year Issued: 2024

Author: Foster, Kristal
Sub-title: a mixed-methods analysis

Title: Perspectives of Music Therapists Working with Sibling Pairs with at Least One who is Neurodivergent
Year Issued: 2024

Abstract: This thesis explored music therapists’ perceptions of the benefits and challenges of working within a sibling structure, with at least one sibling identifying as neurodivergent. This research adds to the literature by contributing the perspectives of music therapists...
Show moreThis thesis explored music therapists’ perceptions of the benefits and challenges of working within a sibling structure, with at least one sibling identifying as neurodivergent. This research adds to the literature by contributing the perspectives of music therapists that work within this framework. Data was analyzed from two participants who completed a semi-structured interview focused on their experiences engaging in this work. Five primary themes emerged in the data: 1) training, 2) goal work, 3) session space, 4) therapist role, and 5) family. Overall, both participants shared similar experiences with their clients. The findings showed that music therapy is beneficial when working with siblings. However, due to the lack of research and minimal research participants, more research needs to be conducted in order to fully support these findings.
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Author: Auty, Rebecca

Title: Befriending the piano
Abstract: This mixed methods dual case study explores the impact of creative free play sessions on college music students' experiences of piano performance anxiety within a music therapy context. Participants included Johanna and Wade, undergraduate students enrolled in a clas...
Show moreThis mixed methods dual case study explores the impact of creative free play sessions on college music students' experiences of piano performance anxiety within a music therapy context. Participants included Johanna and Wade, undergraduate students enrolled in a class piano course for non-piano majors. Johanna, a white 20-year-old cis female, and Wade, a white 35-year-old cis male, participated in 8-10 music therapy sessions that involved discussion and creative free play on piano focusing on alleviating performance anxiety and fostering creative expression. Findings indicate that both participants experienced varying degrees of anxiety reduction and increased comfort with piano performance over the semester. Johanna’s narrative highlighted her journey of overcoming internal fears and building self-confidence while Wade’s narrative demonstrated his experience of finding a meaningful connection to the piano and utilizing the piano as a tool to help manage external stressors. Both participants reported the therapeutic relationship and dedicated time to engage creatively with the piano as the most beneficial in reducing anxiety and increasing productivity. Pre and post test questionnaires indicate the most improvement in the areas of proximal somatic anxiety, worry about performance, and negative cognitions related to performance anxiety and well as self-reported decreases in overall levels of general and piano performance anxiety. Implications for future research suggest incorporating creative arts therapies in college counseling centers to address performance anxiety for students across performing arts modalities. Future research should expand to include larger studies and participants from diverse performance disciplines to validate findings and broaden applicability in higher education settings.
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Year Issued: 2024

Author: Sandham, Randy
Sub-title: A dual case study of the impact of music therapy and piano-based free play on college students' piano performance anxiety

Title: Sexism and cisgenderism in music therapy spaces
Abstract: This narrative inquiry examined the experience of gender microaggressions in the music therapy field. Gender microaggressions are defined as everyday assaults, insults, or invalidations that occur towards persons with marginalized gender identities (including trans/c...
Show moreThis narrative inquiry examined the experience of gender microaggressions in the music therapy field. Gender microaggressions are defined as everyday assaults, insults, or invalidations that occur towards persons with marginalized gender identities (including trans/cis women, trans men, and nonbinary persons) (Sue et al., 2007). As music therapy academic, clinical, and professional spaces are microcosms for larger sociopolitical contexts, music therapists are prone to enacting microaggressions through verbal, non-verbal, and musical means. Microaggressions accumulate throughout a person’s lifetime to negatively impact a person’s health and well-being. In this narrative inquiry, semi-structured interviews occurred with eight participant music therapists to examine their experiences of gender microaggressions in music therapy. Results demonstrated that gender microaggressions manifest in a variety of ways and enactors include music therapy colleagues, presenters, internship directors, educators, and clients. Five themes with 33 sub-themes were found: qualities of microaggressions (cumulative, intersectional, subtle, systemic), impact of incident (gender dysphoria, hurt, indignant, internalization, invalidated, lingering, questioning, regret, shame, shocked, stereotype threat, tired, tokenized, visceral reaction), survival tactics (avoidance, caregiving for the enactor, forgiveness, intellectualizing, minimizing, processing, self-protection, vigilance), interpersonal dynamics (impact on relationship, professional boundaries, power dynamics, response of enactor), and gender in music therapy (feeling affirmed, need for dialogue and support, perceived advantage of cis men). From these findings, it is clear that there is a need for music therapists to develop greater awareness of ways in which they enact gender microaggressions and to create more spaces for music therapists with marginalized gender identities to process these incidents.
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Year Issued: 2019

Author: Kristen McSorley
Sub-title: An exploration of gender microaggressions experienced by music therapists

Title: Neurologic music therapists' perspectives on neurologic music therapy
Abstract: Limited literature exists providing a critical analysis of Neurologic Music Therapy (NMT) as a model of music therapy. This qualitative research study, therefore, sought to explore the strengths and weaknesses of NMT, particularly in its approach to disability, throu...
Show moreLimited literature exists providing a critical analysis of Neurologic Music Therapy (NMT) as a model of music therapy. This qualitative research study, therefore, sought to explore the strengths and weaknesses of NMT, particularly in its approach to disability, through the perspectives of practicing Neurologic Music Therapists. Participants were recruited from the Directory of Current NMT Affiliates, from relevant social media groups, and by referral. Five board-certified music therapists who currently practice NMT or have practiced NMT within the last five years were participants in this research. Data was collected through interviews between the researcher and each participant, in which six discussion prompts were asked. These interviews were recorded and transcribed, after which the researcher utilized inductive coding techniques to uncover prominent themes in the interviews. Six themes emerged in the data. Three themes reflected Neurologic Music Therapists’ perceived areas of strength for NMT as a model: 1) Supported by Empirical Evidence; 2) Client and Caregiver Agency; and 3) Helpful in Addressing Specific Goals. Three themes reflected perceived areas for potential improvement for NMT as a model: 1) Issues with the Academy of Neurologic Music Therapy and the NMT Training; 2) Ableism in Practice; and 3) Narrow Goal Areas. This study adds information to gaps in the literature and could act as a starting point for further studies exploring the strengths and limitations of NMT. Due to limited representation in the participant group, this researcher would recommend repeating this study with a larger group of participants representing a wider range of identities.
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Year Issued: 2024

Author: Watson, Amanda
Sub-title: areas of strength and areas for potential growth

Title: Embodying the Black/African-American experience through collaborative improvised music and dance/movement
Abstract: This thesis is the dissemination of the findings of an arts-based research study exploring the collaborative improvised music and improvised dance/movement on the experience of being embodied as Black. The overall aim was to explore the interpersonal and intrapersona...
Show moreThis thesis is the dissemination of the findings of an arts-based research study exploring the collaborative improvised music and improvised dance/movement on the experience of being embodied as Black. The overall aim was to explore the interpersonal and intrapersonal experiences of one Black/African American musician and one Black/African American dancer engaging in a collaborative creative process focusing on the experience of being embodied as Black. This study grew out of my own experiences when engaging in collaborative improvised music and collaborative dance exploring my racial identity. Participants were chosen through convenience sampling. Data was collected through video recording the collaborative improvised music and dance/movement collaborative experience, written responses to questions about the experience, and through a group discussion. Participants were asked to write down their feelings, thoughts, sensations, imagery, memories, perceptions of cultural aesthetics, interpersonal dynamics, intrapersonal dynamics, and any transpersonal experiences immediately after the experience. Cultural dynamics were explored individually and relationally. Questions posed were centered around connection/disconnection, shifts in power, being in the moment, perceived interpretations of what contributed to the overall collaborative engagement, and perceptions of cultural aesthetics. A poem was created from the themes and subthemes collected from the data. Member checking was utilized for the accuracy of the representation of the participants’ collaborative experience. To authentically represent the essence of the participants’ narratives through music and dance, a multimedia arts reflection of their expressions of being Black in the United States was cultivated. Themes of 1) resilience, 2) resistance, 3) Black aesthetics, 4) spirituality 5) connection, 6) trauma, 7) subjugation/oppression, and 8) Black power emerged in the data and are discussed in the context of individual and collaborative Black experiences. Implications for the practice of music therapy will be addressed.
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Year Issued: 2021

Author: Martin, Tatyana
Sub-title: implications for the practice of music therapy

Title: Exploring music therapists’ attitudes towards disability and sexuality
Year Issued: 2024

Abstract: Music therapy has historically not addressed sex as a topic within clinical practice despite its clinical relevance to the human experience. As a field that works with an abundance of disabled clients who are often harmed by social and systemic infantilization which ...
Show moreMusic therapy has historically not addressed sex as a topic within clinical practice despite its clinical relevance to the human experience. As a field that works with an abundance of disabled clients who are often harmed by social and systemic infantilization which prevents them from access to sexual knowledge, it could be argued that music therapists should be trained to provide basic levels of support to this community in particular given the high level of need. Nevertheless, there are many questions and conflicting ideas around music therapy scope of practice as it pertains to these topics, barriers to education and clinical implementation and viable solutions to this gap in knowledge as a profession. While the music therapy literature has seen an increase in disability justice research in recent years, it offers little to nothing on the topic of engaging in clinically relevant discussion of sex, and most certainly not within the context of disability. This study aimed to examine music therapists’ educational and clinical experiences on engaging in sexual topics with disabled clients, as well as measuring personal feelings of comfort in engaging in these conversations. It was conducted via an anonymous survey intended to collect quantitative and qualitative data from a wide array of music therapists. Data was collected and analyzed according to an objectivist framework and qualitative data in particular was analyzed for common themes. Results indicate a lack of training and education in the facilitation of such topics, and the majority of participants reported complex feelings on the various intersecting layers of these conversations. While many reported feeling discomfort in relation to this topic, so too did many indicate a desire to reflect more critically and intentionally on the subject. It is hoped that this study’s data will serve as an impetus for our field to shift cultural and education practices to better prepare therapists for these conversations on these topics.
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Author: Miller, Francesca

Title: ROCKvoices Oral History Project

Abstract: The ROCKvoices Oral History Project features full audio and transcripts of interviews as well as select video clips from interviews of past and present SRU faculty, staff, presidents and alumni. Hear the wonderful stories of the people who have shaped this institutio...
Show moreThe ROCKvoices Oral History Project features full audio and transcripts of interviews as well as select video clips from interviews of past and present SRU faculty, staff, presidents and alumni. Hear the wonderful stories of the people who have shaped this institution from Slippery Rock State Teachers College, through the Slippery Rock State College years and into the Slippery Rock University of today.
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