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- Title
- Building community and exploring identity through culturally focused music-making for biracial Filipino/a/x/ Americans in the United States
- Year Issued
- 2024
- Abstract
-
This qualitative focus group study explores the use of music in building community and exploring themes of identity for biracial Filipino/a/x Americans, while also introducing participants to cultural values. Participants included Aurora, Lynn, and Kim (pseudonyms); ...
Show moreThis qualitative focus group study explores the use of music in building community and exploring themes of identity for biracial Filipino/a/x Americans, while also introducing participants to cultural values. Participants included Aurora, Lynn, and Kim (pseudonyms); all identify as biracial or multiethnic Filipinos. Aurora participated in all 6 music therapy sessions. Lynn participated in the first session. Kim was only able to participate in music therapy sessions 2 and 3, due to having to start fall term for her second year of music therapy studies. The first four sessions focused on a Filipino/a/x cultural value: Kapwa, Utang Ng Loob, Hiya, and Pakikisama. The fifth session involved a recap of the previous sessions and discussion of a topic related to lived experiences that occurred the week after the previous session. Session 6 focused on a recap of the cultural values that were explored and resulted in a songwriting session focusing on Hiya. Findings indicated that participants felt a closer connection to their biracial Filipino/a/x identity by being in a space with other participants who also identified as biracial Filipino/a/x, creating a space to be authentic and vulnerable, and utilizing music as a focused tool to explore identity. An implication of this study is that music therapy is an untapped allied health care resource for the Filipino community. Additionally, there is a need for biracial Asian and Filipino healthcare providers. Currently, to my knowledge there are only two Filipino board-certified music therapists in the state of Oregon both of which are biracial, including the investigator. Future studies should continue to explore the nuanced experiences of biracial Filipino/a/x individuals, with an emphasis on expanding sample sizes, incorporating intergenerational perspectives, the duality of identity, and deepening cultural specificity in therapeutic practices.
Show less - Author
- Steinhebel, Jessica
- Title
- Clinicians' perceptions of the certification board for music therapists exam
- Year Issued
- 2024
- Abstract
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This study utilized survey research to determine contributing factors to the downward trend in passing rates for the board certification examination for music therapists from the test takers’ perspectives. This was accomplished by inquiring about test preparation, te...
Show moreThis study utilized survey research to determine contributing factors to the downward trend in passing rates for the board certification examination for music therapists from the test takers’ perspectives. This was accomplished by inquiring about test preparation, test-taking experiences, test accessibility, and perceptions about the overall structure of the exam. 76.67% of participants indicated that they were White or European, 16.67% were Hispanic or Latino/a, and 3.33% were American Indian or Alaska Native, 96.43% were female, and 61% passed the exam on their first attempt. 75% of survey respondents said that the exam was accessible to their individual test taking needs. Survey participants in both categories, those who passed on their first attempt and those who did not, reported experiencing restrictions that hindered them from (re)taking the CBMT exam. When asked whether or not they agreed with the statement “My exam score(s) reflect my competence as a music therapist,” 57% of participants disagreed to some extent. When those who did not pass on their first attempt were asked how this impacted their self-concept, there was a common theme among respondents. Using words like failure, dreadful, discouraged, and defeated to describe how they felt after not passing, it was clear that many exam candidates put a strong emphasis on this exam and what it indicates about them as a music therapist. Nearly half of the respondents admitted to experiencing test taking anxiety which made taking the CBMT exam more challenging. Participants noted that the most challenging section for exam candidates overall was treatment, implementation, and termination. 67% of respondents agreed to some degree that their undergraduate program’s approach/philosophy was well-rounded enough to fully prepare them for the exam. Yet, 46% believe that the content of these same programs did not fully prepare them for the exam. That said, most survey respondents also disclosed that they received little to no support from academic professors when preparing for the exam.
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- Miller, Sara
- Title
- College Catalog
- Year Created
- 1930
- Abstract
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Course catalogs were published in print from 1889 until the 2003-2004 academic year. The following academic year Slippery Rock University switched to an all online course catalog. At times there were separate undergraduate and graduate catalogs in print as well as ca...
Show moreCourse catalogs were published in print from 1889 until the 2003-2004 academic year. The following academic year Slippery Rock University switched to an all online course catalog. At times there were separate undergraduate and graduate catalogs in print as well as catalogs for summer sessions. Catalogs contained course and degree descriptions, curriculum outlines, an academic year calendar, fees, history of the institution, scholarship requirements, information on individual Board of Trustee Members, administrators and faculty, and other useful information for students.
Show less - Sub-title
- Summer Bulletin 1930