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Title: Exploring music therapists' experiences of sharing pronouns within group therapy
Year Issued: 2024

Abstract: If music therapists are following the code of ethics, they should be striving to provide inclusive practices. This includes how gender, and its concepts are communicated by therapists. In context of clinical group work, promoting gender inclusivity can be cultivated ...
Show moreIf music therapists are following the code of ethics, they should be striving to provide inclusive practices. This includes how gender, and its concepts are communicated by therapists. In context of clinical group work, promoting gender inclusivity can be cultivated through disclosure and musical choices. Additionally, there are contextual factors that influence clinical decisions made by the therapist. These factors can impact how gender identity is shared and explored by the therapist and clients in the group setting. There is growing research in the music therapy and counseling field regarding the impact of disclosing gender pronouns as well as how the therapeutic relationship is perceived to be impacted by the act of sharing pronouns with clients. However, minimal research has been curious towards how these decisions are made by the clinicians. This thesis aimed to explore the experiences of music therapists sharing or not sharing their pronouns within group settings, and how pronouns are considered when selecting songs for clinical experiences. Semi-structured interviews were conducted with five participants, who were recruited from social media postings. Through thematic analysis, four themes emerged from the data: 1) potential for harm, 2) culturally affirming practices, 3) context, and 4) musical considerations. The researcher hopes this research will be a useful addition to the growing literature exploring gender-inclusive music therapy practices.
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Author: Ambrose, Elizabeth

Title: Language discourse in music therapy
Abstract: The following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1...
Show moreThe following thesis is a culmination of an interpretative phenomenological analysis research study seeking to understand music therapists’ experiences of delivering music therapy services with a language interpreter. The purpose of this study has four main tenets: 1) To understand the therapists’ experiences of delivering music therapy services with interpreters, 2) To fill the gap in the music therapy literature on working with interpreters, 3) To serve as a resource for music therapists delivering music therapy services with interpreters, and 4) To combat the systemic issues of access and equity within the music therapy field. Data was collected through one-on-one semi-structured interviews with 5 music therapists. Data was then transcribed, coded, and thematized, resulting in 40 themes and seven domains: 1) Ways of working with interpreters, 2) Benefits of working with interpreters, 3) Drawbacks of working with interpreters, 4) Music therapists’ feelings when working with interpreters, 5) Potential reasons for not working with interpreters, 6) Dangers of not working with interpreters, and 7) Considerations for music therapists working with interpreters. The findings indicate areas of growth and the need for increased education for music therapists when working with interpreters. Music therapists are also challenged to confront their own privileged stances on the issues of language and linguistic privilege within the U.S., as related to working with patients with limited English proficiency and from historically marginalized communities within music therapy.
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Year Issued: 2023

Author: Obermeier, Victoria
Sub-title: Therapists' experiences of delivering music therapy services with interpreters