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Potentials and barriers to culturally responsive music therapy education
Title
Potentials and barriers to culturally responsive music therapy education
Abstract
Abstract This qualitative focus group study explored perceptions of potentials and barriers to cultural responsiveness in music therapy education. Music therapy literature calls for an increase in culturally informed music therapy practice. However, despite cultural ...
Show moreAbstract This qualitative focus group study explored perceptions of potentials and barriers to cultural responsiveness in music therapy education. Music therapy literature calls for an increase in culturally informed music therapy practice. However, despite cultural considerations present in music therapy professional competencies, there are no standards for culturally responsive pedagogical practices. Simultaneously, there has been an acknowledgment in the music therapy literature of challenges to culturally responsive practices, such as the homogeneous, privileged identities dominant in music therapy's professional demographics, compounded by the privileging of Western classical music in music therapy education. In this exploratory study, an online focus group discussion was facilitated with seven music therapy educators to explore their perspectives on the definition of culturally responsive education, their reflective evaluations of their pedagogical practices, their perspectives on how standards of music therapy education inform and/or hinder the ability to foster cultural responsiveness, and their respective outlooks on how potentials and barriers to cultural responsiveness are impacting education, research, theory, and practice. Results demonstrated that educators who value cultural responsiveness believe it is being overlooked in the field of music therapy. Six themes with 34 sub-themes were found: defining cultural responsiveness (stances of humility, self-awareness, continual and constant attention, knowledge of systems of power, self-critique, process, accountability, skills), relevance to clinical practice (ethical responsibility, effect on the therapeutic relationship, effective versus ineffective practice), approaches in education (dedicated course work, infused throughout the program, gradually increasing depth, beyond the classroom, from the beginning, dialogical over technical, experiential learning), preparedness (personal/professional growth practice, training for supervisors and faculty, staying informed), institutional attitudes (the need for changing attitudes, the field is improving, superficiality, the burden on marginalized faculty, commitment to social justice, support from administration), and barriers (Eurocentricity, lack of diversity, AMTA, jam-packed program, no specific training, the need for research). These findings offer recommendations for how the field of music therapy approaches cultural responsiveness in our training programs.
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Year Issued
2019
Author
Bain, Candice
Sub-title
Perspectives of music therapy educators
A survey of the experiences of Arab music therapists' academic and cultural adjustment in music therapy training
Title
A survey of the experiences of Arab music therapists' academic and cultural adjustment in music therapy training
Abstract
The field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and tra...
Show moreThe field of music therapy is currently working towards increasing cultural awareness, equity, social justice, and belongingness for the wide diversity of music therapists and the people we work with. Due to the Eurocentric approach to music therapy education and training, the Arab community is a cultural group that has minimal representation in the music therapy literature. Throughout the Arab world the music therapy profession could still be regarded as being in its infancy stage. With limited international higher education programs in music therapy, most people living within the Arab region must travel to study. Previous research in music therapy and other mental health professions have indicated that international programs have fallen short in their ability to support the needs of international students, instead assuming they will acculturate with ease, and provide minimal education and guidance on ways therapeutic interventions can be adapted in various cultural contexts. This research study utilized a mixed-methods approach within a constructivist paradigm that pulls from feminist theoretical perspectives to better understand the educational and cultural experiences of Arab music therapists through an anonymous online survey. The data was analyzed for common themes that emerged. Overall, a majority of respondents felt that their music therapy education and training experience did not meet all of their cultural needs. The researchers hope that the data gathered will be useful for other Arab international music therapy students, but more importantly, that it will help guide and inform music therapy programs globally in their efforts to better support the needs of Arab music therapy students.
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Year Issued
2024
Author
Foster, Kristal
Sub-title
a mixed-methods analysis