Honors Fall Field Trip -- Homecoming -- Honors T-Shirt Design Winnner -- Kyle Breault, Student Spotlight -- Spring Honors Courses -- Clara Hill Interview, Theatre on Campus -- Enrichment Meetings -- Important Announcements
Harrisburg Honors Conference -- Contracts and Independent Studies -- New York City Trip -- The Dog-Eared Page -- Senior Spotlights -- Important Announcements
This thesis answers how social media and music streaming services/music industry content, defined as advertising, physical releases, and publications, are positively linked and how different generations, from Baby Boomers to Gen Z individuals, experience and consume said content. The research of Salo, Lankinen and Mantymaki (2013) and Vaccaro and Cohn (2004) among others provides a chief background on the questions that made up a survey distributed to members of the Edinboro University community and beyond. Despite a small sample size, the data supports national and international results found in recent IFPI studies, and provides an in-depth look at how generations differ in terms of money spent, time spent listening, and preferred methods of music content consumption., Britton Rozzelle retains all rights to this material. Please contact the author for further use of this material.
This is a qualitative and interpretive study of the social construction of reality as it relates to the language that surrounds suicide. As noted by Berger and Luckmann (1966), thought is influenced by social relations and belief systems are constructed through social interaction. After a discussion and review of the history and morphology of the term suicide, this thesis looks at the social constructions involved in the two high-profile cases of Michelle Carter and Madison Holleran through an analysis of interactions on Twitter, a social media platform., All copyrights are retained by the author(s). Please contact the author(s) for future use of this material.
