There is a wound in that wall: representations of islam in selected works of nineteenth-century british literature

There is a wound in that wall: representations of islam in selected works of nineteenth-century british literature. (2012). There is a wound in that wall: representations of islam in selected works of nineteenth-century british literature.

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Title	There is a wound in that wall: representations of islam in selected works of nineteenth-century british literature
Abstract	This dissertation addresses two limitations in recent scholarship on the representations of Islam and Muslims in nineteenth-century British literature. It implements a literary critique of the epistemological nature and repercussions of some of these representations from a nuanced historical perspective. And it recovers and recommends for serious scholarly study pertinent texts that are at present neglected or uncanonized. The importance of such texts lies in their subversive nature: the representations they offer of Islam and/or Muslims challenges the dominant nineteenth-century Orientalist, missionary, and historical discourses which pervasively represent them as uncivilized, inferior, or evil. The second limitation is marked by the failure of previous scholarship to accept its pedagogic responsibility. As valuable as recent scholarship is to the Orientalist and scholar of nineteenth-century British literature, it has shown little commitment to extending the scope of research into the classroom order to change the way nineteenth-century British literature is taught in the present-day Western academy. This dissertation, couched in New Historicist methodology, addresses the two limitations in five chapters. The introductory chapter situates the dissertation in recent scholarship on the representations of Islam in nineteenth-century British literature. Chapter two takes a close look at the historical presence of Muslims in Britain during the 19th-century, identifying missionary discourse and conversion to Islam as forces which affected some of the textual representations of Islam and Muslims. Chapter three offers a critique of specific literary texts through applying Spivak's notion of epistemic violence to some of the consistent, reductive representations of Islam and Muslims in nineteenth-century Britain, and argues that this epistemic violence is a requirement in the fashioning of imperial and Jewish identities. Chapter four recovers three nineteenth-century texts, and analyzes the ways in which they subvert dominant representations of Islam and Muslims. Chapter five discusses the pedagogical relevance of these texts, and argues through engagement with canon theory for anthologizing them, including them on reading lists for appropriate courses in history and English departments at American universities, and for making them available in digital format on the World Wide Web for a wider readership.
Date	2012

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Title: There is a wound in that wall: representations of islam in selected works of nineteenth-century british literature
Personal Name(s): Al Abbadi, Ghada
Orchard, Christopher
Corporate Name(s): Indiana University of Pennsylvania
English.
Note: Publisher info.: Dissertation/Thesis.
Advisors: Orchard, Christopher Committee members: David Downing; Kay Snyder; Michael Williamson.
Topical Subject(s): Islamic Studies
British and Irish literature